We were basic. We’d earned archery badges. We played piano. We threw I-Ching. The townspeople were little Pharisees. We saw the facts under their Izod vestments.
Who doesn’t finally emerge armed from the creek bed, antediluvian, robust?
Who will ever forget what we did at the railroad interchange, the alleyway, the grain elevator, main street, or on one of two hills?
The first hill was named after a conqueror: the second after the conquered. This was a site on the small patch of the conquistador’s chain mill. This was a rock drenched with indigenous blood. Later in both places generations of fleeing evacuees carved these numbers:
Generations of evacuees carved out these numbers, but this was a museum in which we the peasant girls had long planned to live: the new mall. We went long risk on belly trenches beside the aquamarine fountain. There were defaults among shop rotations where we could realize. Either in the mall or seventeen miles apart, approximately, we could stand without family on the two hills and signal victory over the sign-light of Dairy Queen.
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I’m panicked. I don’t sleep that night. It was like my worst nightmare is happening. The next morning, I rush to the set and plead my case. And Ivan basically says, “The studio felt that they had Bill Murray, so they wanted to give him more stuff to do.” I go, “Okay, I understand that, but can I even be there when they’re established?” And of course, he said no, there’s nothing to do about it. It was kind of awkward, and it became sort of the elephant in the room.
I see this differently now—and I don’t mean any kind of animosity or anything towards anyone, certainly not towards Ivan or the guys. I was a single dad, and we were struggling to kind of hold on and pay the rent. I still needed to do this job. 30 years later, I look back at the movie and it works very well the way it is. I think the character works with what he has to work with. But I’ve always felt like, “Man, if I could’ve played that original character…”
Winston wasn’t included in the movie poster or the trailer and all that stuff. I felt, had the original character been in play at the beginning, that would’ve been different because it would’ve clearly been four guys. It would’ve sent a signal to the studios and very likely impacted my career in a different way. I think the fans see the Ghostbusters as four characters. I do some of the conventions, and I’ve met thousands of people, and I deputize kids as Little Ghostbusters. And the question I always used to get was, “Where does Winston go?” That’s the thing with Winston: He will pop up and then disappear.
Read More | “The painful what-if that haunts ‘Ghostbuster’ Ernie Hudson” | Ernie Hudson | Entertainment Weekly
The Coast Guard first encountered Baluchi on Wednesday after receiving a report about a man in a bubble off the coast of Miami, disoriented and asking for directions to Bermuda, a Coast Guard press release said. It was not clear when he started his quest.
A Coast Guard cutter found Baluchi. Officials described the craft as a “hydro pod bubble” and a man in a 2013 YouTube video called a Baluchi bubble “a big hamster wheel.” It moved along the ground as Baluchi ran inside.
In the press release, the Coast Guard said Baluchi had protein bars, bottled water, a GPS and a satellite phone. The Coast Guard conveyed the voyage’s dangers and asked Baluchi to quit his journey because he didn’t have enough supplies. But he wouldn’t leave his vessel, officials said.
Read More | “Man running in inflatable bubble rescued off coast of Florida” | Ralph Ellis | CNN
A man who only identified himself as “Bijan” sat down inside the council chambers wearing the Starter-style snapback cap, embroidered with the slogan in the same font on NWA Raiders hats that they used for publicity shots. “We noticed Santa Ana Police Chief Carlos Rojas, the Mayor and City Manager looking at us,” says Angel Juarez, a member of CopWatch Santa Ana. “They asked Bijan to remove his hat under threat of stopping or delaying the meeting.” He didn’t.
Why? “Because it’s what I believe,” Bijan tells the Weekly.
Before public comments even had the chance to start, an angry Mayor Miguel Pulido announced that everyone needed to leave. He ordered that the television cameras not be turned on to broadcast the meeting, saying, “We find the gentleman in the hat offensive.”
Read More | “Santa Ana City Council Meeting Canceled Over F the Police Hat” | Gabriel San Roman | OC Weekly
Third: Music Theory and Ethno/Musicology separate out analysis (the purview of “theory”) from history and ethnography. That’s more or less parallel to mainstream philosophy’s separation of analysis (mainstream analytic philosophy) from history and ethnography and practical philosophy. I suspect that this structural and intellectual separation of analysis from everything else is an important factor in both fields’ demographic problem. This separation allows analysis to be something of an epistemology of ignorance, a theoretical practice that naturalizes the commonsense intuitions of the most privileged members of society as “objective” knowledge.
Fourth: Mainstream analytic philosophy and music theory/composition share a route out of McCarthyism and through the postwar academic industrial complex. Both fields presented themselves as specialist practices modeled on the sciences. These specialist practices had nothing to say to or about politics or public affairs. Just read Babbitt’s “Who Cares If You Listen?” with McCumber’s “Time In The Ditch”–you can’t miss the similarities. (Even Babbitt’s discussion of the “efficiency” of post-tonal musical languages echoes analytics’ obsession with so-called “clarity.” And, if you look at the bottom of page 3 of “Who Cares,” you’ll see Babbitt dig at “nonanalytic” philosophers and implicitly identify himself with midcentury analytic philosophy.)
Read More | “What we can learn about Philosophy’s diversity problems by comparing ourselves to Music Theory” | Robin James | It’s Her Factory