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TNI A/V posts original podcasts, multimedia essays and playlists designed as forms and formal explorations of criticism, but without all that boring reading.

 

IVAN: The Reconstruction of Narcissism

January 31, 2014

IVAN: The Reconstruction of Narcissism, a debut composition by POWERHOUSE, explores the notion of using architecture and design as a vehicle for self-transformation by holding the design philosophy: “We are products of our products, therefore our products must reflect and encourage our own self-development.” Rather than taking the approach from a conventional design perspective, POWERHOUSE brings artistic motivations to the fore, thus reconstituting the traditional role of the viewer from audience member to user.

Narcissism, as it is defined today, is a surrounded by a stigma of shallow self-obsession, discouraging true objective introspection. However, in their retelling of The Myth of Narcissus, POWERHOUSE imparts new potentiality on the ‘narcissistic condition’, expanding it to a state of revelation rather than one of self-infatuation.  In this re-imagined, revelatory state, the water reflects a transcendent and transformed Narcissus, one free from external and internal compunction. This reconstruction presents narcissism as the acme of the human experience and as a product of complexity, rather than superficiality and obsession.

Each of the pieces encourage a stage of development through their individual characteristics, from form to function. The pieces Dither and Mull embolden the reconstructive process of narcissism, facilitating the users potential to develop. Adamantine and N+ stimulate the final stages of reconstruction, assisting the user’s culmination in this evolutionary process. The central piece of the environment, Ivan, serves as a division, or barrier of consciousness, by separating the pieces; urging the user to advance and progress. Together, the pieces serve to vitalize, and ease the user through the stages of this reconstructed narcissism.

The environment created is magnified by the implementation and focus on texture, specifically of those materials re-examined from the Kuwaiti industrial market. POWERHOUSE reintroduces outdated materials, which are the majority of what is currently available in this market, to create a hyper modern aesthetic while maintaining the practicality of function.  Echo, an encompassing soundscape by Chicago’s The-Drum, completes the environment of IVAN – an experience which beseeches the viewer to seize the opportunity to reflect, to reverberate within one’s own interior long enough so that eventually, the deep, muddled desire to reconstruct our own reality grows as clear as our mirrored image.

POWERHOUSE is a composition initiative:
Nanu Al-Hamad (Al-Hamad Design) Kuwait / New York
Max Ketant (MEGA.DOPE.POP) Haiti / New York

IVAN: The Reconstruction of Narcissism premieres at the Sultan Gallery in Subhan, Kuwait Feb. 4 at 7pm

 

“Sweat Lodge” Vulture Shit

January 3, 2014

Vulture Shit performing “Sweat Lodge” from their forthcoming 7″ vinyl EP called The Joys Of Employment (Money Fire Records #006) due February 20th. Recorded, mixed, and mastered by John Meredith. Artwork by Alex Crocetti.

Tweet this post and download Vulture Shit’s “Adult Hits”

 

Police Mortality

September 17, 2012

http://vimeo.com/49549112

In honor of the one-year anniversary of Occupy Wall Street, our friends in the Anti-Banality Union (they made Unclear Holocaust) have allowed us to post a trailer for their upcoming “film,” Police Mortality. In their words,

Police Mortality is Anti-Banality’s latest wish-fulfillment symptomology of, as one character hallucinates it, “a precisely formulated national conspiracy of police genocide.” Imprecise, ill-formulated, universal, and spontaneous, this feature-length detournement is a paranoid-schizophrenic blitz against police subjectivity, skimmed off nearly 200 movies by that other social superego–Hollywood. The second film in the epistemological survey begun with Unclear Holocaust, Police Mortality is slated for completion in December.

In this opening scene, the immaculate suicide of one LAPD officer begins to reveal the contradictions of police existence to a force which, finding itself multiply irreconcilable with itself, resorts to terminal civil war, eradicating the prevailing organization of life in the process.

“The most beautiful sculpture is a paving stone thrown at a cop’s head,” -?!