Robin James is an associate professor of philosophy at UNC Charlotte and coeditor of the Journal of Popular Music Studies. For the 2019–20 academic year, she is a visiting associate professor of music at Northeastern University. She is the author of three books: The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics (Duke University Press, 2019); Resilience & Melancholy: Pop music, Feminism, and Neoliberalism (Zero, 2015); and The Conjectural Body: Gender, Race, and the Philosophy of Music (Lexington Books, 2010). Her work on feminism, race, contemporary continental philosophy, pop music, and sound studies has appeared in the Guardian, the LARB, Belt Magazine, the New Inquiry, Noisey, Popula, Sounding Out!, Hypatia, differences, Contemporary Aesthetics, and the Journal of Popular Music Studies.
The mainstreaming of electronic dance music and the assimilation of non-Western music into hipster taste hierarchies owes more to biopolitics than beats