In what is ostensibly a news article on the Wall Street Journal front page today (“Revitalized Detroit Makes Bold Bets on New Models”) this sentence jumped out at me as being a clear example of ideology in action:
Social media—Facebook and other similar services that have integrated with portable devices to permit continuous interactivity—have furthered consumerism’s ameliorating mission. They enhance the compensations of consumerism by making it seem more self-revelatory, less passively conformist, conserving the signifying power of our lifestyle gestures by broadcasting them to a larger audience and making them seem less
The temptation to dismiss multimedia artist Laurel Nakadate as a wallowing narcissist, a sub-Jackass-level prankster, or an emotional terrorist is strong. She appears as all those things in the retrospective of her work at P.S. 1, inviting the audience’s contempt as well as their lascivious stares.
Tradition — “how things are done here” — has been fatally disrupted. We can enter an elevator in any city or an Italian restaurant in any American town and understand what to expect and what to do. And thanks to the universality of money and the pervasive norms of capitalist market exchange, we trust we