Judgments, Rosea Lake
By now, you’ve probably seen art student Rosea Lake’s photo Judgments, which went viral earlier this month. Unlike, say, videos of children on laughing gas, this went viral for a very specific reason: It does what the strongest images do, namely that whole “worth a thousand words” bit. Judgments communicates the constant awareness of, well, judgments that women face every day we leave the house (and probably some when we don’t), and I won’t say much more about the actual image because it speaks well for itself.
That said, I’ve read commentary on the image that has also struck a chord, specifically Lisa Wade’s spot-on post at Sociological Images about how Judgments pinpoints the constantly shifting boundaries of acceptable womanhood, and then relates that to something women are mocked for: all those darn clothes (you know women!). “[W]omen constantly risk getting it wrong, or getting it wrong to someone. … . Indeed, this is why women have so many clothes! We need an all-purpose black skirt that does old fashioned, another one to do proper, and a third to do flirty….” Wade’s main point is an excellent one, as it neatly sums up not only what’s fantastic about the image but why women do generally tend to have more clothes than men.
But my personal conclusion regarding Lake’s piece was actually somewhat different: To me, it illustrates why my own wardrobe is actually fairly limited in range. The first time I saw it, I was struck by how effectively it communicates exactly what it communicates. The second time I saw it, though, I made it personal and mused for a moment about how save one ill-advised maxidress and one black sheath that hits just above the knee, literally every single one of my hemlines is within an inch of “flirty.” This is semi-purposeful: It’s a flattering length on me, and I’m a flattery-over-fashion dresser, so I’ve stuck strictly with what works. And isn’t it a funny coincidence that what happens to flatter my figure just happens to be labeled as “flirty” here, when in fact “flirty” is probably, for the average American urban thirtysomething woman, the most desirable word on this particular chart to be described as? (Depending on your social set you might veer more toward proper or cheeky, and of course I don’t actually know which of these words women in my demographic would be likely to “choose” if asked, but I have a hard time seeing most of my friends wanting to be seen as prudish—or, on the other end, as a slut.)
Of course, it’s not a coincidence, not at all. I may have believed I favored that hem length because it hits me at a spot that shows my legs’ curves (before getting to the part of my thighs that, on a particularly bad day, I might describe as “bulbous”). And that’s part of the reason, sure, but I can’t pretend it’s merely a visual preference of mine. As marked on Judgments, that particular sweet spot—far enough above the knee to be clear that it’s not a knee-length skirt, but low enough to be worn most places besides the Vatican—also marks a sweet spot for women’s comportment. Flirty shows you’re aware of your appeal but not taking advantage of it (mustn’t be cheeky!); flirty grants women the right to exercise what some might call “erotic capital” without being seen as, you know, a whore. Flirty lends its users a mantle of conventional femininity without most of femininity’s punishments; flirty marks a clear space of permission. Curtailed permission, yes, but sometimes a skirt’s gotta do what a skirt’s gotta do, right? So, no, it’s no accident that nearly all my dresses fall to this length. I wear “flirty” skirts in part because I play by the rules. I’ve never been good at operating in spaces where I don’t have permission to be.
Of course, that permission will change: The lines as shown on Judgments indicate not only hemlines and codes women are judged by, but where women are allowed to fall at any particular age. A “provocative” teenager might be slut-shamed, but she isn’t told to keep it to herself; a 58-year-old with the same hemline might well be told just that, if not in as many words. “Proper” isn’t necessarily a sly way of saying “frowsy” when spoken of a middle-aged woman, as it would be for a 22-year-old.
Given how widely this photo made the rounds, it’s clear it struck a nerve, and I’m wondering what that nerve is for other viewers, in relation to their personal lives—and personal wardrobes. Do you take this as commentary on rigid rules for women, or on the constant flux of expectations—or are those just two expressions of the same problem? Do you dress within “permission,” or do you take pleasure in disregarding permission altogether? Or…?