Interiors – Manhattan

Woody Allen, who is known for having his characters’ existential conversations spill into the streets, works here within a single space – his couch. The scene itself consists of a static camera that only moves at the end when Isaac stands up. It’s within this single space that he addresses some of the most intimate questions about life as he thinks about the things that make life worthwhile.

From Interiors Volume 12. Find out more about the journal here or see past issues here.

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