Interiors – Amour

Michael Haneke sets his film within a single location, a Parisian apartment, which was constructed in a soundstage. The filmmaker’s direction here is restrained; his static camera observes his characters from a distance, almost always in long shot, without ever investigating their internal state of mind – except for a sole dream sequence. This allows for an intimate relationship with his subjects to build over the course of the film…

From Interiors Volume 14. Find out more about the journal here or see past issues here.

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