Interiors – Psycho

The entire film focuses on spatial relations. The opening shot of the film is a wide image of a hotel room that introduces Marion Crane (Janet Leigh) and Sam Loomis (John Gavin) to the audience; we are essentially intruding voyeurs peeping into their private space from a distance. Marion later steals $40,000 and leaves Phoenix for California. The notion of space becomes clear as she drives from one state onto another, referencing the distance that separates her from Sam.

From Interiors Volume 10. Find out more about the journal here or see past issues here.

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Interiors – The Shining

The audience is immediately presented with this space is detached from civilization; there are only a handful of scenes that take place outside of the walls over the hotel. It’s within this controlled space that Kubrick sets his film....

Interiors – Se7en

The detectives navigate through physical spaces for the entire film – dark hallways and alleyways, disorganized rooms and offices, crowded buildings and eateries...