Features Anti-Fascisting By Sophie LewisMay 30, 2019 “None of us, under capitalism, can claim to be wholly free of fascism.” An interview with Natasha Lennard.
Features Labor Does You By Sophie LewisMay 22, 2019 What if we really felt the politics of uterine work to be comparable to other labors?
Features In Motion By Tiana ReidMay 17, 2019 An interview with director, writer, and activist Astra Taylor about her film What is Democracy?
Features Vol. 70 Editors' Note: Service By The New InquiryMay 15, 2019 Who do you serve? Who do you protect?
Features How It Feels to Be Free By Raquel Salas Rivera and Carina del Valle SchorskeMay 10, 2019 Raquel Salas Rivera and Carina del Valle Schorske discuss Latinx poetics and what it means to be a Puerto Rican poet and translator after the devastation of Hurricane Maria.
Features Abel, Buried by a Crow By Sema KaygusuzApril 25, 2019 The 1915 Armenian Genocide endures in the very fabric of Turkish society—but who remembers and who takes responsibility?
Features The Evil to Come By LiaisonsApril 23, 2019 For a brief moment, each one of us saw the possibility of the end of capitalism rather than the end of the world
Features A Pueblo, a World By LiaisonsApril 17, 2019 What from outside seems an extraordinary feat of organization is nothing more than the everyday forms of collective life
Features Scam or Die By Maya Binyam, Lou Cornum and Tiana ReidApril 1, 2019 The New Inquiry editors discuss last year’s so-called “Summer of Scam” and its endless aftermath
Features Mask with a Crush By Heike GeisslerMarch 25, 2019 Reflections from a novelist who takes a seasonal job at an Amazon fulfillment center
Features Vol. 69 Editors' Note: Insiders By The New InquiryMarch 20, 2019 The first issue in our newsletter model
Features Grooming Style By Mara Iskander, ALPHA Goddess Ashley Olson and Alex KarsavinMarch 19, 2019 A conversation on how the Alt Lit scene’s documentation of sexual violence became a style of supposed sincerity
Features The Real Lolita? By Hannah GoldJanuary 3, 2019 Sarah Weinman’s new book questions the responsibility of fiction to fact