The production of false fakes gets cast as a contradiction, but points back at an economic logic that refuses to differentiate between products and human beings.
If you’re a down-and-out artist and you’re of a certain socio-psychological bent, the idea of going to a minimum security prison for a year or two in exchange for being a world-famous artist might not sound like a bad tradeoff...
The lawyer is also interested in finding an expert witness to testify about cultural and family practices in rural Pakistan, perhaps a sociologist, anthropologist or even a community leader familiar with the culture.
No catcall zone signs put up across NYC and Philly, castle managers inexplicably burning contemporary art, shifty Italian framemakers with purloined Picassos, and more, This Week in Art Crime