The Post-Exotic novel wants to destroy reality. The second half of Antoine Volodine's essay on the form of the novel, its destruction and its reconstruction
This is the story of how I came to be profoundly disillusioned with the modernist photographic tradition. Through careful study of their work, it came to my attention that Eugène Atget, André Kertész, Brassaï, Robert Doisneau, and Henri Cartier-Bresson, men whom I had once taken for heroes, were involved in the systematic corruption of the
Editor's note: The following is a piece from way back in the TNI archives, Malcolm Harris writing about Chuck Klosterman in 2001. When we saw the similarities between Klosterman's take-down of tUnE-yArDs and Harris's article – well, we're not accusing anyone of anything, we leave it to you to draw your own conclusions.