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Socialism and/or Barbarism
By Evan Calder Williams
Notes on a once & future nightmare. S a/o B 2008-2011 Follow @thickaswolves
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Uncertain augury

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On exiting the subway today, climbing the stairs up into Union Square, a small feather fell onto our faces. Then more. We looked up. A large red-tailed hawk was sitting on a branch, slowly devouring a pigeon in front of an American flag, too hamfisted to be an omen, too opaque to not be. The flag flapped a bit, but feebly. The hawk sat still, looked down at the gathering crowd, who were all saying, hawk, or eagle, and all taking pictures. The hawk went back to tearing gobs from the pigeon.

The first time I wrote pigeon, I wrote dove.  As in, the sanctified doves of peace of the Pope that were rightfully attacked by two birds that are themselves permanent augurs, crow and gulls, the former because they are plural, the latter because they live off trash and so are already thick with what we so want to forget.
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Here, the feathers of the pigeon drifted out into the wind, little downy flecks black with backlighting.
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They landed across the pavement, onto windshields, cameras, purses being sold, they settled on the collars and mouths of those passing by.
Uncertain of what augury means any longer, we can only hope that it means what it deserves to: that the American state will be slowly consumed by the same fires it used to light the torches of its slave patrols.

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We are forever staggered that we are not ceaselessly wrecked against the shoals of the world and ourselves

 

 

Fragment from a history of domestic architecture, 2548 AD

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With no small effort, the house consumed what remained of the forest.

Some other time, earlier, ago (the house had never supported a clock on its walls), the whole thing would have been a breeze. The house simply showed up, a solid league or couple miles or many furlongs out past the center of population density. (The clockless house had basements upon basements stuffed with maps, being, all things said and done, a house). It minded itself, mended its traps. A little landscaping.

Then it would be found, miming its surprise, the door never open but never locked, and the rest just fell into place. Axes took to the forest and carried it hewn into the house. Paths trenched into shape. Thieves paced the paths with high collars and pried the rich and poor alike from their things, which too were brought into the house, before the thieves were hung and dragged quartered inside. And the house swelled. Laid away for winter.

Things were tougher, later. It got coy, crafty, full of snares and day beds. Learned style. Wrote gender. Shuttered its slate. Took out ads.

Now it was hard, plain and simple. No hands helped. The house was dying. That much was sure. Its spidery center whirred and crunched the numbers. Played the angles. Nothing doing. Things had to be direct or not at all.

It unhooked the roof and got busy. Shook the forest out. Could have been worse. Lathed it right, sloping, tuned. Checked its records and did it right, old-fashioned, heat and pressure. It even spared a bit of non-forest it had been saving for some time and fashioned the thing, set it out front. No traps now. Open field, free for the taking. It waited. Snows came and went and came. The blade rusted. Nothing doing.

The house, shivering, shuffled its slate. Thkesinsg guhist! sang the spider. It cut the vacant forest free. Guhist, gutist! So it moved on, pace by pace, a foundation laid, then torn, then laid, creeping mosaic across the salted highway and making a break for the sea.

The rich own watches

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Terrified by time yet aware that it is money, the rich own watches. Tremendous hoards of them. But despite the ample size of their residences and the fact that for the rich, residence is always a plural noun, there are still too many. The space between the walls being already stuffed with ruined birds, they cram the timepieces wherever they fit. The rich are fond of disguising their watches as other luxury goods. It is something to do. They do not share this fact beyond themselves. When the rich piss in each other’s toilets, they alone are aware that they are pissing on Breitlings and Ulysse Nardins. They hang their coats, which are woven from Vacheron Constatins, on Hublots. If one isn’t careful when cleaning up with a sponge that is also a Rolex, a mint A. Lange & Söhne Grand Complication is likely to go out with the rubbish and used lungs and Greubel Forseys.

This system of watch storage was adequate for approximately four centuries but was revolutionized in the early-1980s, when the sheer quantity of watches outpaced the scale of residences and threatened to collapse them. That was how lightning struck the mind of the rich: what if we collapse the two categories? Since then, things are less clear, even for the rich. Their watches have multiple floors, doormen and humidors. Inside the watches, the rich sit and check the time on their phones. One of the rich, lured by a tectonic song gaily sung, descended into the gears of his Richard Mille and was never seen again. Once every moon cycle, the remainder of his assets swell with the oceans.

However, the most architecturally significant of the new breed was put up quietly in mid-town, and even some of the rich didn’t grasp the sheer revolution – truly, the rich say, there is no other word – it enacted. As if camouflaged, it appeared like any other late-model though not untasteful condo. A little too stalagmite, at most. It was not until one November dawn that this facade was lifted, when the first rays tenderly washed the tower. A flower unfurled in the minds of the rich. The tower was not a watch, as they expected. It was made of watch, of watches, of millions of them crushed beneath the heels of the south until they formed a fine dun paste that could be molded into residence that blooms pink and tan in the early morning.

(Not coincidentally, the rich own a very special watch that is always this color, irrespective of the time. It is made of rose gold and orphan hearts. When crushed to a powder and raised to the noonday sun, it justifies genocide. The rich have been saving this for a rainy day.)

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In springtime, the rich visit the prison of Château de Taureau. They ride a swift raft of watches across the waves to it. It is choppy but in an invigorating way. The motor sings gaily as assets. The rich sniff the air of the jail but not with displeasure. On the wall is written, in anti-watch: Men of the 19th century, the hour of our appearance is fixed once and for all, and always assigns us the same incarnation. The rich find this funny. They raise their watch to their buffed cheek. You hear that, Monsieur, they whisper. That’s right, Monsieur, they taunt the dead, nobody does. The hands move, but being authentic, they glide, tickless, like that time or times the rich went skating in Bern. On the ceiling is written:What we call progress is locked up on each earth and disappears with it. The rich laugh. There has never been sunlight in Château de Taureau. It would make a splendid club.

But is also later. Where have the years gone, the rich ask. The sky is light, but the heart of the rich is heavy. How fleeting this life is, they muse. The rich have gotten philosophical. They shake their wrist. It is no longer silent. The diamonds suffocated ages ago.

More years pass or have passed. The rich got left out in the rain. Their declawed cheetahs looted the armory and reclaimed their claws. They haven’t been seen since. Time is not a river, the rich realize, but a bog. At some point a century ago (the rich can’t remember, even if they have gotten philosophical), things went south. The Botox went rogue. The state was left an orphan. A rank puddle seeps out from the pile of the rich. Everything is preserved. They never actually owned a Patek Phillipe.