Kill Rock Stars
Jeff Jackson’s new novel is one we’ve all heard before
A Woman Under the Influence
Mary MacLane's spectacular moods first fueled, then failed her
Miracle Devices
The medical-device industry has been mobilized against the patients it purportedly serves
The Sensory Inexplicable
Encounters with two David Wojnarowicz exhibits ask how to feel the history and experience of AIDS in America
On Quitting
Most often when I talk about building a life, I have meant something closer to saying that I cannot imagine—or desire—a life here.
How Contempt Became a Genre
On Kevin Young’s Bunk and America’s seething tendencies
Cruel Poptimism
Ariana Grande’s hit single “No Tears Left to Cry” might be the late-summer cipher for living in a lost future
The Cochlear Implant at the End of the World
Staging disability in an apocalyptic future, the film A Quiet Place insists that we think beyond a logic of functionality if we want to survive environmental crisis
Staging an Epidemic
What is AIDS to you?
Pop at the End
This is what the end of the world sounds like
Work, Supermodel
madison moore’s new book, Fabulous: The Rise of the Beautiful Eccentric, centers the present history of black and brown queer ballroom culture
The Loves of Others
You don’t have to be a couple to participate in the couple form. In fact there is nothing else to do
A World More Beautiful and Alive: A Review of The Extractive Zone
From Ecuador, Perú, Chile, Colombia, and Bolivia, Macarena Gómez-Barris describes “submerged perspectives,” the decolonial ways of knowing that unsettle colonial relationships to land and the forms of violence they reproduce.
Abolish the ICE Prison Complex
A recent Supreme Court decision reminds us that the law has no interest in lifting the veil that covers immigration prisons
The Diasporist of Drohobycz
A new translation of Bruno Schulz’s stories reveals the local in vitalist understandings of diaspora that do not need to claim a Jewish state to flourish
Some Blues but Not the Kind That’s Blue
In music and literature, Jay-Z and Percival Everett meditate on maturity, black masculinity, and the confessional drive of the artist’s life