At a time when much of the world is mired by recession, and unemployment is hitting record highs, it’s not surprising that we’d want experts unafraid to make sense of it all. Enter the pop-economist.
When country musicians tried to protect the integrity of their genre in the 1970s against the likes of John Denver, it wasn’t merely aesthetic protest but an organized labor movement
If an animal has previously suffered escapable shock, and then she suffers inescapable shock, she will be happier than if she has previously not suffered escapable shock — for if she hasn’t, she will only know about being shocked inescapably.
ABC’s new series Last Resort presents race in a fashion that is entirely bracing, especially given the other options in the faux-post-racial mediaverse that we now inhabit.
Where Zarathustra defined the letzte mensch as the man so despicable he is incapable of despising himself, the lolcat is incapable of despising his master. Lo! I show you the age of the last cat.
The career of 19th-century writer, illustrator and naturalist William Hamilton Gibson reminds modern urbanites that all conservation, like politics, is local
India is a bazaar of thingness where stuff proliferates in excess of any attempts at categorization. The stacks, bundles, and piles yield another mode of looking, unknown at the factory or supermarket.
Parasitism reminds us that there is a third form of relationship that is neither participating nor opting out, neither eliminating nor redistributing, but repurposing