Pont Blank

This is the story of how I came to be profoundly disillusioned with the modernist photographic tradition. Through careful study of their work, it came to my attention that Eugène Atget, André Kertész, Brassaï, Robert Doisneau, and Henri Cartier-Bresson, men whom I had once taken for heroes, were involved in the systematic corruption of the

The Pitfalls of Indie Fame

Editor's note: The following is a piece from way back in the TNI archives, Malcolm Harris writing about Chuck Klosterman in 2001. When we saw the similarities between Klosterman's take-down of tUnE-yArDs and Harris's article – well, we're not accusing anyone of anything, we leave it to you to draw your own conclusions.

The Revolution that Wasn't

I am not a hero. I was only using the keyboard, Mona, on the internet, I never put my life in danger, the real heroes are the ones on the ground. … This revolution belonged to the internet youth, then the revolution belonged to the Egyptian youth, then the revolution belonged to all of Egypt.

Don't Stop Beliebing

If it were opportunistic, it would have a better beat. It’s so earnest and guileless that it’s completely unappealing. It really shows how pointless endorsing Occupy Wall Street is as a gesture. You also can’t dance to it.

Redefining the Right Wing

Let me begin by agreeing that political conservatism is typically born in reaction and backlash...Postwar conservatism in America has certainly been defined by a series of reactions against rapid or large-scale social and political changes.