Saul Steinberg, “Labyrinth,” The New Yorker, 1960 In February, New Inquiry editors sat down with essayist and critic George Scialabba to talk with him about…
Celebrate the release of The New Inquiry Magazine, No. 2: Youth at The Kitchen on Tuesday, March 27 for a screening of one of the buried gems of late 60's youth-power exploitation cinema, "Wild in The Streets."
The photographs of Antonio Bolfo, a Rhode Island School of Design graduate and former NYPD patrolman who took artistic photographs while on the job, humanize both officers and civilians. So says the The New York Times. But is this true? And if it is, does it matter?
I am writing this on the premise that you are a well-meaning person who wishes Occupy Wall Street to succeed. I am also writing as someone who was deeply involved in the early stages of planning Occupy in New York. I am also an anarchist who has participated in many Black Blocs. This is why
There is much to know about Penelope Mortimer. She was married to one man, but gave birth to two children from extramarital affairs with two other, separate men. While pregnant, she would leave her first husband for her second, John Mortimer. Their relationship was anything but sunny, and the details became excellent source material for