is an artist, poet, and theorist. Her work in film, video, performance, text, photography, drawing, and sound explores the interplay between aesthetic and political valences in the public domain. Book publications include a translation of Waly Salomão’s Algaravias: Echo Chamber (Ugly Duckling Presse), nominated for a 2017 PEN Award for Poetry in Translation; the poetry volume The Distancing Effect (BlazeVOX); and the artist publication Apparent Horizon 2 (Bonington Gallery). Exhibitions, publications, lectures, and residencies include Townhouse Gallery of Contemporary Art, Museum of Fine Arts Boston, Art Dubai, Mathaf: Arab Museum of Modern Art, Pacific Film Archive, Triple Canopy, Experimental Media and Performing Arts Center, Women and Performance, The White Review, The New Museum, Transition, Asymptote, The Literary Review, Valand Academy, Darat al Funun, Delfina Foundation, among others. She completed a Ph.D. in Comparative Literature and Film & Visual Studies at Harvard University and an M.F.A. in Film/Video at Milton Avery Graduate School of the Arts at Bard College. She is author of the open text South/South. In 2017 she is an artist-in-residence at Wysing Arts Centre in the United Kingdom.
If severe overcrowding and the structural violence of the penal system were to blame for the Carandiru massacre, which has become an indelible pockmark on Brazilian history, we can expect a similar outcome in Honduras.
In these dark and brooding times it is Kafkaesque tragicomedy that strikes the right note of collective mirth. The Iranian government recently staged an anniversary celebration of Ayatollah Ruhollah Khomeini's momentous return from exile in France. The cardboard reenactment of his arrival has been the subject of effusive internet mockery since photos from the state-affiliated
The Palestine/Israel and U.S. narratives on Palestinians coincided in a haphazard way this month. While the popular resistance committee in the village of Nabi Saleh mourned the killing of Mustafa Tamimi, which it named its first martyr, an American presidential candidate resurrected the British Mandate-era mythos about the ‘invented’ Palestinian people.