The original tribe of self-proclaimed Superstars, however, was Andy Warhol’s Factory crew of “odds-and-ends misfits, somehow misfitting together,” as the artist described them in his memoir, Popism. Within this tribe, the Warhol Superstar that most extravagantly combined silver screen Hollywood glamour with downtown New York chic was Candy Darling, the transsexual actress who worked alongside
The computer is the liar that always tells the truth. If you believe the lie—that what the computer does is beyond human comprehension, that its power exceeds its use value—then you are doomed to be its slave.
The personality of the adult Rimbaud, who writes letters home to his mother detailing and bewailing the state of his finances, is so different from that of the adolescent poète maudit that it seems improbable that the two belonged to the same person. Then again, Rimbaud, like us all, was always full of contradictions.
Bracing for disaster in 1990, St. Louisans’ knew that to single out their town for divine wrath would be to invite ridicule. They binge-drank and “pigged out,” secure in the geographical, geopolitical — indeed, cosmic — insignificance apparent to them every day.
Énard’s attempt to modernize the Iliad is even more explicit than Joyce’s attempt to modernize the Odyssey in Ulysses. Indeed, Zone reads as if it were narrated by Molly Bloom—were she to have been cast as a battle scarred Achilles rather than an unfaithful Penelope.