Rock and roll has no morals. Of course, that’s much of what is and has always been attractive about it. But maybe there’s something legitimately chilling beyond where lawlessness and rebellion are sexy.
Because they already know that it means stopping and without stopping they know that beyond stopping it will mean listening listening without hearing and maybe…
“Sexuality is a murky realm of contradiction and ambivalence. It cannot always be understood by social models, which feminism, as an heir of nineteenth-century utilitarianism,…
Andy Warhol, Dennis Hopper, (1971) Anticipating the premier of Hopper's follow-up to Easy Rider, The Last Movie (1971), James Stevenson profiled the young director in…
Susan Sontag believed that intellectuals should, must, take political stands. She was active in the movement against the Vietnam War. She tried, with passion and…
Inspired by Saul Bellow's Humboldt's Gift, J. Bernstein asks as series of profound, some might say cosmic questions. To which R. Rosenfelt + M. Borkowski…
...courtesy of a 1972 NYRB article by Ellen Willis that I've just read, called "The Fantasy of the Perfect Lover" (subscribers only, unfortunately). Ultimately Willis…
Edmund Burke, “The Father of Modern Conservatism” On Saturday, (update: March 6th at 7pm), TNI will host a Conservative Thought Salon dedicated to exploring the conservative…
Bail Bloc 2.0
Our work on immigration, ICE, borders, and detention
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.