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The New Inquiry

is a space for discussion that aspires to enrich cultural and public life by putting all available resources—both digital and material—toward the promotion and exploration of ideas.

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This Week in Art Crime

By The New InquiryJuly 3, 2014
A vigilante white-washes a famous piece of street art; A professor is ejected for crowd-surfing at a classical recital; ARCA (the Association for Research into Crimes against Art) held its annual Art Crime conference in Central Italy
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Un(der)seen Cinema: Experiments in Terror

By The New InquiryJune 30, 2014
Horror makes a natural ally with film and video art.
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Terrifying Robot Update: Friday, June 27, 2014

By The New InquiryJune 27, 2014
The great thing about robots is how they're all so nice and cuddly
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The Art of the Rebuttal: Katherine Dunn

By The New InquiryJune 25, 2014
There is another way to look at the Tyson Bite affair. Try this. The bites were against the rules and should be penalized, but they were understandable and even justified
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Un(der)known Writers: Aimé Césaire

By The New InquiryJune 23, 2014
...that it is barbarism, but the supreme barbarism, the crowning barbarism that sums up all the daily barbarisms...
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Foreword to Violette Leduc's La Bâtarde

By The New InquiryJune 23, 2014
Violette Leduc's autobiographical La bâtarde is an oft-overlooked classic of feminist literature.
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This Week in Art Crime

By The New InquiryJune 20, 2014
A geriatric Australian man tags a police station and flees on a toy scooter; A photographer takes blurry images of CIA black sites
Essays & Reviews

Advance Fragments: Circling the Square

By The New InquiryJune 18, 2014
An excerpt from the upcoming publication on the intersection of art and the EuroMaidan: Circling the Square
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Un(der)seen Cinema: Man with a Movie Camera

By The New InquiryJune 16, 2014
Dziga Vertov's Man with a Movie Camera revealed how revolution reshaped the world, and in reflecting that revolutionary world, intensified it.
Features

Editors' Note, Vol. 29: Queens

By The New InquiryJune 11, 2014
A queen stands alone, fixed in place, with her subjects arrayed around her. This means she is also outnumbered.
News

Memories of a Penitent Heart @ Rox Gallery

By The New InquiryJune 5, 2014
We are sponsoring an event to celebrate contributor Cecilia Aldarondo's film, Memories of a Penitent Heart. In Conjunction with Rox's Current Exhibition POLISH Featuring Over…
News

Queens Live @ The Kitchen

By The New InquiryJune 3, 2014
The New Inquiry presents a live version of issue no. 29, Queens. The evening includes presentations and performances by Alexis Blair Penney, Sarah Nicole Prickett, Derica Shields, and Hannah Black. Jarvis…
News

Ayesha Siddiqi is Editor in Chief

By The New InquiryJune 2, 2014
An announcement from our new Editor in Chief: The New Inquiry's staff has distinguished itself through their exploration of ideas removed from the pretensions of…
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Un(der)seen Cinema: Grin Without a Cat

By The New InquiryJune 2, 2014
Chris Marker's film essay A Grin Without a Cat traces the victories and defeats of the communist struggle, from 1965-1977
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The Art of the Interview: Dave Chappelle and Maya Angelou

By The New InquiryMay 30, 2014
Maya Angelou talks with Dave Chappelle about creativity, celebrity, and cultural politics.
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Variations on a Theme: Compromises With Tyranny

By The New InquiryMay 28, 2014
That comrade is now useless as an operative. He's been exposed. That medal is a shackle.

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