Light Industry Monday, September 30, 2013 at 7:30pm Electric Affinities: Close Up and Queer Modernism 155 Freeman Street, Brooklyn FREE Monday, September 30 at Light…
We're delighted to welcome Ayesha Siddiqi to The New Inquiry's editorial board as Contributing Editor. Follow Ayesha at @pushinghoops To celebrate, we're offering free downloads to…
When I wrote this essay a year ago, there weren’t any literal Nazis in Breaking Bad and the show was about drugs. Neither of those things are true now...
A series of threatened literatures from around the world in 10 parts. Our debut installment presents poetry and oral literature in 5 languages of Indonesia.…
"To be a truly intoxicating woman you must have a backbone, good morals, good intentions, and a good whip." The work and wisdom of artist Andrea Mary Marshall
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.