“Witch” stands for all those unnamable shadow acts of disappearance and withdrawal, self-cultivation and self-medication that elude the social and sexual order...
[rlinstallation by Nicola Lopez[/rl] Half block party, half book bash, PAGE TURNER: The AAWW Food and Books Festival is an unforgettable all-day free public fair…
Director Gregg Araki describes this pilot episode of a never-realized television show, This is How the Worlds Ends(2000), as Twin Peaks for MTV. Dancing-midget rock fans…
Featuring Vijay Iyer, Ambrose Akinmusire, Jonathan Finlayson, Adam O'Farrill, Graham Haynes, Steve Coleman, Hafez Modirzadeh, Mark Shim, Elena Pinderhughes, Josh Roseman, Tyshawn Sorey, Mat Maneri,…
A reading featuring: Anne Boyer | Works include Anne Boyer’s Good Apocalypse, The 2000?s, My Common Heart, The Romance of Happy Workers and more. Her latest work, A Form of Sabotage, was recently…
Low-rent cousin of The Hardware. Where the diurnal undead mill about forever on shag that never quite feels dry, not ever. From the inestimable terriblerealestateagentphotos.com
Bail Bloc 2.0
Our work on immigration, ICE, borders, and detention
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.