Up consists of various visual metaphors – including the notion that the protagonist attaches balloons onto his house and flies to the skies, visualizing his desire for reuniting with his deceased wife.
“there are two sides to everything...people dont just act like this for no reason...I guarantee you the professor was reacting to something that isnt shown in this video”
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.