An edited gchat about the perils and possibilities for activists seeking attention for movements through social media

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I could not doubt it. I was in the power of the hasheesh influence. My first emotion was one of uncontrollable terror...

To understand Bernardo Bertolucci’s The Conformist (1970), it’s essential to understand the history of the EUR district in Rome and its deep ties with fascism...

An interview with Jenny Odell, graphic artist and self-described "satellite tourist", who turns images from Google Earth, Street View and Image Search into beautiful and unsettling collages of de-contextualized objects.

For TNI Vol. 14: Time, both Sarah Nicole Prickett and Masha Tupitsyn wrote reflections on Christina Marclay's 24-hour film, The Clock. Winner of the Golden Lion at the 2011 Venice Biennale, The Clock is a supercut of clips from films in which the characters are talking about or alluding to the time, it runs synced

Daguerreotype portraits were made by the model posing before an exposed light-sensitive silvered copper plate. The fixing however was far from permanent – like the people they captured the images too were subject to change and decay.

Up consists of various visual metaphors – including the notion that the protagonist attaches balloons onto his house and flies to the skies, visualizing his desire for reuniting with his deceased wife.