The opening shot of the film is a wide image of a hotel room that introduces Marion Crane (Janet Leigh) and Sam Loomis (John Gavin) to the audience; we are essentially intruding voyeurs peeping into their private space from a distance
It’s hard not to see the sex between them, watching the Obamas dancing against a blue sea of heads gazing up in the darkness. It makes me woozy to imagine a relationship that is still on the upslope 20 years later.
All images cropped from a microfilm of Barnard's Universal Criminal Cipher Code for Telegraphic Communication between Chiefs of Police, Sheriffs, Marshals and other Peace Officers of the…
The online journal Interiors combines film theory and architectural design precision to explore one film a month. Click through to see fan favorites from Beauty and the Beast to Raging Bull diagrammed.