The detectives navigate through physical spaces for the entire film – dark hallways and alleyways, disorganized rooms and offices, crowded buildings and eateries...
Makeover apps combine gamified play’s curtailment of actual playfulness with gamified labor’s trivialization of actual work, forming a neither-nor zone robbed of both the joyful possibilities and the political significance of beauty work.
Everybody talks about the weather —“but nobody ever does anything about it,” jokes Charles Dudley Warner. Everybody talks about it, Ulrike Meinhof repeats, but "we don’t.”
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.