There is an entire cottage industry of Bush-era movie-making. If a Michael Bay or a Spielberg were to concoct the spectacle of a drone movie, what would it even show?
“our context at the time was seeing what’s happening in the City of Oakland...my fear is a longterm occupation with a number of tents where we have an undergraduate student and a non-affiliate and there’s an incident. And then I’m reporting to a parent that a nonaffiliate has done this unthinkable act with your daughter,
The entirety of your case, which asserts that ‘I now owe a sum of money because I spent what I had borrowed on the terms of an agreement I signed according to which I would repay it’, rests on the mistaken assumption that the five instances of “I” in this sentence correspond to the same
Body hair contains the threat of embedded masculinity and embedded female maturity—that is, female sexuality—but damn if I see that and don't shave every day anyway.
The ocean froze. Montage was exciting and vacant. The movement of history was expressed through the three-way cross-cutting of pin stripes, the melting of glaciers, and a dog trying to ride a skateboard. Many workers went on strike and struck out toward the sea. Why should we stay at the factory gates, they sang, if
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.