Death Is Not The End

A review of Tolstoy’s The Gospel in Brief  The recent publication of Tolstoy’s The Gospel in Brief (in a new translation by Dustin Condren) calls for a renewed…

Un(der)known Writers: Nicola Chiaromonte

“The individual who has lived through a great historical upheaval has not only been dispossessed of his beliefs. He has found himself face to face with a reality that goes far beyond him and everyone else.

Unfree Labor

A review of Ross Perlin’s Intern Nation: How to Earn Nothing and Learn Little in the Brave New Economy Taped up in my dorm room there…

The Art of the Interview: Frederic Tuten

My first book was The Adventures of Mao on the Long March. Roy Lichtenstein did the cover for me. Roy was really the reason it got published because no one wanted to take it. Nobody, nobody, would take the book.

Piece of Candy

The original tribe of self-proclaimed Superstars, however, was Andy Warhol’s Factory crew of “odds-and-ends misfits, somehow misfitting together,” as the artist described them in his memoir, Popism. Within this tribe, the Warhol Superstar that most extravagantly combined silver screen Hollywood glamour with downtown New York chic was Candy Darling, the transsexual actress who worked alongside

Un(der)known Writers: Pierre Klossowksi

The “rulers” (industrialists, military men, bankers, bureaucrats, etc.) with their various tasks, are merely effective slaves who work unknowingly on behalf of these hidden masters, and thus for a contemplative caste that ceaselessly forms the “values” and the meaning of life.