Gabriella Coleman’s history of the Anonymous collective is as much about her complicity in the group’s attention-seeking tactics as it is about the group itself.
Hitler is discovered standing beside Jesus in a German church, the Guggenheim's labor practices in the Gulf are challenged, a legal mural of Mike Brown is removed by request of the Trenton police, and much more
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.