Adapted for families, sunday-schools, lending libraries, etc. Amongst the Contributors to its pages are evangelical Clergymen, Ministers, and esteemed Christian Writers.
First thought upon exiting the MoMa’s all-weekend, last-weekend showing of Christian Marclay’s The Clock, which we watched for nearly three hours, uninterrupted: What time is it?
For TNI Vol. 14: Time, both Sarah Nicole Prickett and Masha Tupitsyn wrote reflections on Christina Marclay's 24-hour film, The Clock. Winner of the Golden Lion at the 2011 Venice Biennale, The Clock is a supercut of clips from films in which the characters are talking about or alluding to the time, it runs synced
[An anti-reproductive response to one of the most idiotic memes repeated and cooed over ad infinitum, including by those of otherwise plausible intelligence]
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.