In her absence, her father, a meager pensioner with a passion for heraldry, blazonry, archivology, and sigillography, absconds with his wife for the King of Hungary, a local restaurant, to determine whether what their daughter, a champion of simple, economical home-cooked meals, says of eating places was in fact true: that they serve nothing but
Tradition — “how things are done here” — has been fatally disrupted. We can enter an elevator in any city or an Italian restaurant in any American town and understand what to expect and what to do. And thanks to the universality of money and the pervasive norms of capitalist market exchange, we trust we
The hope is that every student has a teacher or two over a decade and a half that really makes them question and think, but either way, we silently acknowledge that they’ll spend the majority of their young vigor-filled lives quivering at the arbitrary mercy of petty kooks and jowly tyrants.
When I traced my face shape onto my mirror with lipstick, I was bowing to the needs of my inner slave. I was reaching toward the looking-glass and willing the world contained therein to reveal a great insight. Tell me my face shape so I may never again have an unflattering haircut, ye mirror!
I do not mean to imply that these were the best films (if you want to call them that) of the decade. Jean-Luc Godard, Michael Haneke, the Dardenne brothers, and Bela Tarr all have claims on that title. But some kind of tipping point has been reached.
The recent publication of Tolstoy’s The Gospel in Brief (in a new translation by Dustin Condren) calls for a renewed investigation of the political, intellectual and religious…
As more aspects of our lives are digitized, literature is an increasingly crucial means of expressing, understanding, and preserving places and their influences.
Photo: The Moonshiner's Daughter, N. Brock, 1900 "I was usually left with her while both families went to church on Sabbath mornings and well remember being…
(via John Foster) On sense and subjectivity in the poetry of Dan Beachy-Quick We fear that we can’t communicate our thoughts or experience to others. When…
Via Literalab Operatic Lives: “Isadora Duncan” (1942) In Nice it was raining. Apollo and Diana stood at the curb, covered by black raincoats. When the automobile…
As more aspects of our lives are digitized, literature is an increasingly crucial means of expressing, understanding, and preserving places and their influences. At the…
As more aspects of our lives are digitized, literature is an increasingly crucial means of expressing, understanding, and preserving places and their influences. At the…
Bail Bloc 2.0
Our work on immigration, ICE, borders, and detention
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.