It is clear that Stop Cop City represents one of the conjunctural spear tips for expanding the existing systems of counterinsurgency that span Africa, Asia, and the Arab world.
It’s a great moment in Pedro Almodóvar’s film Todo Sobre Mi Madre: A transsexual woman stands on a stage and explains all the reconstructive and cosmetic…
Annie Leibovitz, Susan at the House on Hedges Lane (1988), Brooklyn Museum Susan Sontag (January 16, 1933 – December 28, 2004) She was bookish almost from birth.…
Some excerpts from Timothy “Speed” Levitch’s Speedology (2002) 1. The Fastest Way to Adventure is to Stand Still Boredom is an illusion. Boredom is the…
Julia Kristeva (1987): We have lost the relative strength and security that the old moral codes guaranteed our loves either by forbidding them or determining…
Janet Frame (August 28, 1924 - January 29, 2004) She needed ‘treatment’— electro-convulsive therapy at the Seacliff hospital in Dunedin. Every part of this therapy…
Images by Barbara Kruger Abrahamian explains why a salon revival may be the best way to fight epistemic closure in the digital age— where the internet…
Salvador Dalí. A Couple with Their Heads Full of Clouds (1936) “Mediating our identity and our experience recapitulates it in a form that can circulate and be…
Bail Bloc 2.0
Our work on immigration, ICE, borders, and detention
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.