Welcome to the online home for our Issue Two: Youth celebration! We're pleased to present one of the buried gems of late 60's youth-power exploitation…
Self-tanners—also known as one of the few products we buy to make ourselves look less healthy than we are—hit the sweet spot between conspicuous and inconspicuous consumption.
Saul Steinberg, “Labyrinth,” The New Yorker, 1960 In February, New Inquiry editors sat down with essayist and critic George Scialabba to talk with him about…
Celebrate the release of The New Inquiry Magazine, No. 2: Youth at The Kitchen on Tuesday, March 27 for a screening of one of the buried gems of late 60's youth-power exploitation cinema, "Wild in The Streets."
The criminalization of humanitarian aid at the border enacts a fantasy of desolate individuation. Scott Warren’s felony trial reiterates the necessity to keep reaching out.
What would it look like to put a power structure on trial? Interweaving visual narratives of the Mexico–United States border show the uneasy relation between objects and people.
The border’s dream is for undocumented immigrants to be its most reliable missionaries. But the immigrant who crosses the border is the affirmation of a life that transcends it.